'Jerry Garcia: The Rolling Stone Interview'.

^ 'Famous Quotes about Frank Gambale'.^ 'Greg Howe Interview â Fusion Maestro | All Out Guitar | Magazine Archive'.Archived from the original on 8 January 2014. ^ 'Frank Gambale,Dweezil Zappa: Dweezil explains how Gambale advanced his technique | The Cheap Electric Guitar Blog'.'Avenged Sevenfold's Zacky Vengeance & Synyster Gates'. ^ 'Frank Gambale Online Guitar School'.'Mark Varney: Legato interview with Laurie Monk'. Archived from the original on 28 September 2011. ^ a b Hallebeek, Richard (20 October 2001).1994: The Frank Gambale Technique Book IIįrank Gambale Sweep Picking Pdf Online References.1994: The Frank Gambale Technique Book I.1993: Chopbuilder: The Ultimate Guitar Workoutįrank Gambale Technique Instructional books.2004 Resident Alien - Live Bootlegs Disc Two (Wombat).

2004 Resident Alien - Live Bootlegs (Wombat).2000 The Light Beyond with Stuart Hamm, Steve Smith (Tone Center).2000 Coming to Your Senses (Favored Nations) This newest lick is based on some of the amazing Sweep and Economy Picking that legendary guitarist Frank Gambale does so effortlessly.In a 1991 interview with Rolling Stone magazine, guitarist Jerry Garcia stated that Gambale was one of his favorite players at the time, stating, 'My personal favorite lately is this guy Frank Gambale, who's been playing with Chick Corea for the past couple of years.' Discography As leader Once you have fluidity with this shape you can alter the intervals to create a host of other sounds such as Dominant 7th (1-3-5-b7), minor 7th (1-b3-5-b7) and minor 7 fl at 5 (1-b3-b5-b7).Īlmost any chord shape or sound can be adapted to create sweep-picked arpeggios, so start experimenting and create your own.Gambale has been featured on the covers of many guitar and jazz-orientated magazines worldwide, while having been cited as an influence by many notable guitarists including Synyster Gates, Dweezil Zappa, Greg Howe, and Pat Metheny. Our final example continues with the Frank Gambale theme with a major 7th shape (1-3-5-7) adding some alternate picked notes on the fourth string. Our fourth example is technically the same as Example 3 for the picking hand, but this time we adapt the major triad shapes to add some major 7th and 9th intervals to create more colourful sounds, reminiscent of Frank Gambale. Some re-fingering is necessary in order to separate the notes and create a smooth succession of notes, as ideally only one string should be held down at a time, while the remaining five strings are muted. The arpeggio shapes are based on major triad barre chords, which you may recognise from the CAGED system. The third example is played using six notes per beat and uses all six strings in a John Petrucci style. Because it has three notes per string, there is a tendency to give it a triplet feel, so be sure to practice it in groups of two or four notes per beat.

This time there are five notes per beat, which might take a little getting used to but all the notes should naturally fall into place if you focus on making the lowest and highest ones fall exactly on the down beats. The economy of sweep picking lets you play a lot of notes with minimal pick movement, making it easier to play at high Look at Ex. This makes a minor 7th arpeggio (1-b3-5-b7) using one note per string. This is achieved by muting the five strings you are not using with any fretting-finger flesh you have at your disposal.Įxample 2 expands on Example 1 by adding two extra lower notes on the fourth and fifth strings in the style of Mattias IA Eklundh. The fretting hand is responsible for separating the notes so that only one is heard at a time. The desired effect with sweep picking is to only hear one note at a time this is where the fretting hand comes in.Ī good way to warm up the picking hand is to hold down the chord shapes and practise moving the pick through the strings So far we have a chord played one note at a time, but with the notes ringing together. The similarity to strumming is important as it is one continuous motion, rather than six individual down or up strokes. With practice you can make these notes conform to subdivisions like 16th-notes or triplets, etc. As your pick passes across the strings the notes will naturally occur at an even rate. Try holding a barre chord and slowly strumming across the strings, making sure your hand is moving at a steady speed. The picking technique itself is much the same as strumming a chord in slow motion.

Gambale sweep picking